Friday, March 4, 2011

The Metropolitan Museum of Art

The Metropolitan Museum of Art is a world famous museum located in Midtown New York City and opened in 1929. It is dedicated to educating the public about the evolution of modern art. The museum exists to be an educational center about the development of modern art and showcasing modern art from around the world, and to showcase modern art from across the world.

The founders of the museum were the wives of Lillie P. Bliss, Cornelius J. Sullivan and John D. Rockefeller, Jr., three people who were devoted to the arts and sought out to challenge the conservative ways of how museums were operated at the time. They also wanted the public to understand the arts better and to enjoy what was happening at that time.

Its modern art collection varies from 150,000 paintings, sculptures, drawings, prints, and photographs they have acquired over the years. They are well known for showcasing its Van Gogh collections, including his Starry Night piece; as well as its Picasso collections over the years. But throughout the years, the museum has acquired other pieces of art from other artists such as Matisse, Cezanne and Monet.

Within its art collection, famous American painters such as Georgia O'Keefe, Cindy Sherman, and Edward Hopper's works are all featured. The museum has also featured the influential American painters within its art section. MOMA has showcased a wide array of American pop artists that has One of the most famous pieces on display at the museum is Andy Warhol's 'Campbell's Soup Cans' piece, which is a huge Campbell's Tomato Soup can.

Aside from the art collection, the museum has a large art photography collection, capturing a wide range of subjects. There is a film and video collection that shows popular films such as Citizen Kane and Vertigo, as well as Andy Warhol's Empire and Bjork's 'All Is Full of Love' music video. The museum also has a section with important designers from around the globe, showing various industrial and manufactured pieces by these people. Each designer's subjects that they created are on display, which allows visitors to get an idea of what kind of subjects they thought up at that time.

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Tuesday, March 1, 2011

Donetsk Regional Museum of Art

Donetsk Regional Museum of Art is one of the largest museums of art museums in Ukraine. It is cultural center of Donetsk and its region. The museum was founded on Sept. 23, 1939 as the Museum of Fine Arts, from 1941 ceased to exist due to the outbreak of the Great Patriotic War of 1941-1945, and in 1965 resumed its existence.

The museum collection was formed with the proceeds from the Republican and Union artistic exhibitions and from the collections of public museums in the USSR - the Tretyakov Gallery, Pushkin Museum of Fine Arts, the Hermitage, Russian museum, the Museum of Ukraine. Also it was formed with the acquisition of works from private collections and gifts from artists. Its collection includes 11,500 works of painting, drawing, sculpture, decorative arts. Among them: the Russian and Ukrainian art of the XVIII - XX centuries, the domestic art of the XX century, western European art XVI - XX centuries, decorative arts, a collection of icons of XVI - XX centuries.

The main activities of the museum are study, conservation and use of monuments of material and spiritual culture, attracting people to a national, worldwide historical and cultural heritage, aesthetic, moral, artistic, patriotic education of the population, promotion and study of the works of amateur and folk art.

The museum has created the interesting exhibitions of the domestic fine and decorative art, in its halls each year exhibited more than 30 exhibitions from the museum and private collections, works of Donetsk artists, children's studios and folk artists.

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Saturday, February 26, 2011

Blanton Museum of Art

The Blanton Museum of Art is a part of the College of Fine arts in The University of Texas at Austin, with a permanent collection of substantial range and depth. It is the principal art museum in Austin, with collections and exhibits on a par with art museums throughout the country. Positioning itself as a gateway between the University community and the general public in Austin, the Blanton is committed to building the finest collections possible, being a vital resource for teaching in a broad variety of disciplines, and to making their offering available to art lovers of all ages.

Originally known as the University Art Museum, the Blanton dates back to 1963, when a new building for the art department designated some gallery space. The Blaton Museum began collecting in earnest throughout the 1960s and 1970s, and gained a large group of important paintings from a private donation from the acclaimed author James Michener. The Blanton took an early leadership role in the promotion and preservation of Latin American art, founded on the donation of some two hundred paintings and 1,200 drawings from the collection of John and Barbara Duncan. Other permanent holdings include the C. R. Smith Collection of Paintings of the American West, and nearly one thousand contemporary prints donated by Charles Clark of McAllen, Texas. Now, the museum has over 17,000 works in its permanent collection.

The museum also offers a great number of traveling exhibitions, with topics that range from cultural to political art. Whether featuring the sculpture of New York's Park Place Gallery Cooperative, the performance-installation work of Michael Smith and Joshua White, woodcuts and engravings by Albrecht Dürer, or Rembrandt's etchings, the rotating exhibitions are world-class.

The public programs available at the Blanton are diverse and exciting. They offer public tours of the museum, guided by knowledgeable docents who can answer questions about the collections and exhibits. Each month, they host an art party known as "B-Scene," featuring live music by Austin bands, gallery tours, art-making activities, light snacks, and a cash bar featuring their signature cocktail, the Blantini. The last Tuesday of the month brings the Bach Cantata project, a choral performance held in the majestic atrium of the museum. Hot Art Hip Kids is a program for children, and for adults, they also offer educational lectures on their exhibitions, as well as Third Thursday, a themed event held in the evenings. Classes and workshops on many different subjects are also available.

With the opening of the new Blanton in April 2006-following a 2 1/2 year building project-the museum was for the first time able to house all of its collections under one roof, becoming the premier art museum in Central Texas. In its new home, with its rich and versatile collections, magnificent galleries, fun and diverse programming, and an enthusiastic and committed group of staff and volunteers, the museum continues its mission to promote the arts in Austin to the students attending the University of Texas of Austin and the general public.

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Wednesday, February 23, 2011

Museums and Art Galleries in Dublin

The Chester Beatty Library

The Chester Beatty Library is an amazing art museum and library which houses a wonderful collection of manuscripts, prints, drawings, miniature paintings, extraordinary and unusual books, and many ornamental arts which were collected and assembled by Sir Alfred Chester Beatty (1875-1968). This collection hails from countries across Asia, the Middle East, North Africa and Europe. The Chester Beatty Library was awarded Irish Museum of the year in 2000 and was awarded the title 'European Museum of the Year' in 2002. For further details check out The Chester Beatty Library website.

The Hugh Lane Gallery

The Hugh Lane Gallery is an art gallery home to the largest public collection of 20th Century Irish Art. Dublin City Council funds the Hugh Lane Gallery. Located in Claremont House in Dublin city, this is a very popular art gallery and is very unique as it is the first Metropolitan Gallery of Modern Art in the world! Previously called the 'Municipal Gallery of Modern Art', it was renamed the "Dublin City Gallery The Hugh Lane", but is still today known as "The Hugh Lane". For further details check out The Hugh Lane Gallery website.

Dublin Writers Museum

The Dublin Writers Museum was opened in 1991 and is housed in an original 18th century house located at 18, Parnell Square in Dublin City Centre. The museum includes a library, gallery and administration area. Onsite there is a coffee shop, bookshop, exhibition and lecture rooms. Writer's works that feature in this museum include those that made an important contribution to Irish and International literature, James Joyce, William Butler Yeats and George Bernard Shaw to name a few! For further details please check out the official Dublin Writers Museum website.

Dublin Children's Museum - Imaginosity

Imaginosity is a Children's Museum located in The Beacon Court Shopping Complex in Sandyford, Dublin 18. Imaginosity is Ireland's first interactive museum that welcomes children up to the age of 10 years. There are many colourful and expertly designed exhibits that will enhance children's imagination and development. Celebrating its 2nd birthday this October Imaginosity are providing a variety of activities to mark this occasion including a Halloween programme of events which will run from 26th October to 31st October 2009. For further details please check out Imaginosity website.

Image: The River Liffey - Dublin - Ireland.Irish Museum of Modern Art

The Irish Museum of Modern Art (IMMA) is located in the 17th Century Royal Hospital on Military Road, Kilmainham, Dublin 8, just west of Dublin City Centre. Exhibiting the very best in modern and contemporary art, a visit to this museum is a must.
The contemporary art collection is purchased from studios and galleries. Donations are also received with many generous gifts received in the past. The location offers wonderful surroundings with a formal garden, courtyard, meadow and medieval burial grounds. For further information please visit The Irish Museum of Modern Art website.

The National Museum of Ireland - Archaeology

It has been said that when you visit The National Museum of Ireland you will be transported back in time to our ancient ancestors in Ireland 7,000BC. With magnificent artefacts that include Celtic and Medieval art like: The famous Ardagh Chalice, The Tara Brooch and The Derrynaflan Hoard, you are sure to be amazed with the wonderful exhibits on offer. Here you will also witness recently found bog bodies that date back to the Iron Age. For further details please check out The National Museum of Ireland website.

National Wax Museum

The National Wax Museum guarantees a fun and interactive day out for all the family. Heroes, celebrities and many more from past to present will come to life right before your eyes! Visitors can take a journey through Irish history when they visit 'The Vault of Irish History'. 'The Writers Room' pays tribute to Irelands many famous writers, 'The Grand Hall' features Ireland's music legends that include U2 and Phil Lynott to name a few. 'The Irish Hall of Fame' featuring many Irish entertainment and sporting legends. Should you dare to visit 'The Chamber of Horrors' you will experience the weird and wonderful world of horror. For further details check out The National Wax Museum website.

So there you have it, just a selection of Dublin Museums and Art Galleries worth a visit.

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Sunday, February 20, 2011

Dallas Museum of Art

A treasure trove of art paintings, drawings and sculptures, the Dallas Museum of Art offers guests a rich offering of craft. With more than 23,000 works of art that span from ancient times till present day, visitors to this destination will find plenty to keep them occupied during their visit. The museum is spread over several themes including Asian Art, African Art, Ancient American Art, Ancient Mediterranean Art, American Painting and Sculpture, and several others. Over these distinct categories the museum presents an expansive range of artworks that has much to offer purveyors of art.

One other notable collection is "The Wendy and Emery Reves Collection" which was a donation from Wendy Reves after her husband passed away. This special collection is housed inside a 15,000 square foot replica of the house in France that the Reves' lived in that adds an unusual charm to the collection. The Dallas Museum of Art also extends beyond a standard museum through its creative hub known as the Center for Creative Connections. The center includes exhibitions of the museum's normal collection in addition to the Tech Lab, Art Studio, Theater and Arturo's Nest.

The museum also hosts several other community events during the year. On 'Late nights' the museum is kept open longer than normal and hosts musical performances, film screenings, readings and more. 'Arts and Letters Live' presents a series of lectures from acclaimed authors, illustrators and actors. 'Jazz Under the Stars' is a popular Jazz musical affair while 'Thursday Night Live' features more jazz combined with drinks and dinner in the museum café. Visitors will find a host of Dallas hotels to choose during their travel to the city. offers a range of hotels in Dallas complete with detailed descriptions allowing travellers to make informed online bookings prior to their visit.

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Wednesday, February 16, 2011

New Art Technique

Art has been around in many forms for a long time now. Even ancient civilizations like Egyptians or Mayans use to practice arts in forms of rock sculpture or painting or even literature which dates back to 2100 B.C. Music has been around for quite some time also.

However one of the latest arts that has been born in the last century is Cinematography, the art of creating motion pictures, also knows as films, or more commonly, movies.

The "foundations" of an art is generally called talent. That's right, not everyone is cut to be an artist of any kind, you just need to have that special something. It is very hard to learn how to become an artist without being born with the talent required. For example, when I was a little kid, in elementary school, I just couldn't understand how other kids couldn't draw a perfect circle when it all seemed so easy for me, so therefore, a talent must be recognized by other because in many cases an individual could have a particular talent without even knowing it.

I have been an artist, for what, 20 years now... I always liked to draw thing, and I did.. a lot. So I was getting better and better. After high school I even took art classes and started painting with oil on canvas. After that I just liked it so much, paintings were coming and going.

Several years ago, while I was at the countryside, just sitting and chilling in a cool summer evening, an idea suddenly came to my mind. I started thinking about the new 3D technology I saw back then at news, so I wondered how would that look like combined with paintings. So I did some research, and found about about bas relief sculptures. bas-relief actually means "low relief" represents the quality of a projected image where the overall depth is shallow and the background is compressed or completely flat.

After doing the research, I began testing methods to combine the bas-relief technique with a painting. My idea was to grant a wall painting the properties of bas-relief. First I tried using gypsum on a special canvas... but unfortunately the end result wasn't what I expected. The weight of the modeled art was too big, so therefore I had to rethink it. After some time I had another great idea on what material to use and the final result was outstanding, five times less weight, it was perfect.

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Saturday, February 12, 2011

New York Museums and Places of Interest

This article serves as a brief guide to a few of the numerous must see cultural goldmines in New York City.

American Museum of Natural History

See the 3.2 million year old lady. One of the greatest historical finds of our time and arguably the oldest known proof of human evolution, the skeleton of 'Lucy' is on display at the museum as well as a planetarium, complex dioramas, a rare selection of priceless articles in the library and an extensive display on the study of human evolution.
Established in 1869, the American Museum of Natural History in Manhattan's Upper West Side is one of the most respected and interesting museums in the world.

Whitney Museum of American Art

The most important artworks of the 20th century are on display at the Whitney Museum of American Art. Affectionately known as 'The Whitney', it has over 12 000 works from artists such as Andy Warhol, Jasper Johns, Knox Martin and Jackson Pollock.
The museum was established by Gertrude Vanderbilt Whitney, an artist and founder of the Whitney Studio Club. The Whitney Studio Club later evolved into the Whitney Museum of American Art.

The Museum of Comic and Cartoon Art

For those who enjoy something with a little more KaBlam!, the Museum of Comic and Cartoon Art is the place to spot those priceless rarities, unheard of spin offs and long forgotten classics.
This New York City museum opened its doors on Broadway in 2001 and regularly hosts classes, book openings, workshops and lectures featuring special invited guests.

The New York Public Library

One of the most important research libraries in America and one of the world's leading public libraries, The  New York Public Library is one of the most significant catalogues of documentation in the world.
The building itself has been a work in progress since 1897, but it only opened its doors to the public at an official opening ceremony in 1911, which was hosted by the United States President at the time; William Howard Taft.
The exterior of the library features two lion statues, dubbed "Patience" and "Fortitude" , which have reached iconic status, and are now synonymous with library entrances.
The library also hosts a website which offers access to the library's catalogues and databases. The website gives members free access to thousands of historical and contemporary newspapers, magazines, journals and reference books.

The Guggenheim Museum

The Guggenheim is the best known museum in New York. Not only is it the definitive collector of Modern art, but it also caters specifically for early modernists. The full title of the museum is The Solomon R. Guggenheim Museum and it forms part of New York's Museum Mile. The Guggenheim franchise also has museums in Berlin, Bilboa, Venice and Las Vegas.

The Metropolitan Museum of Art

Commonly known as 'the Met' on the bohemian streets of the Big Apple, this New York Museum Mile institution is the world's largest collection of art of the 20th century. The museum, is situated on the eastern edge of Central Park, and has 19 different departments in its permanent collection featuring specific themes such as arms and armor, musical instruments, Egyptian art and American Paintings and Sculpture.

The Paley Center for Media

Formerly The Museum of Broadcasting, and also the Museum of Television & Radio, the curators of at Midtown Manhattan's Paley Centre for Media are the caretakers of more than 120 000 TV and radio broadcasts which have been donated to the museum by the original owners - perfect for the weary coach potato traveler.
Much of the museums emphasis is on media as a time capsule, and the inclusion of TV and radio as important human history. Amongst the archives are TV programs dating from 1948, and radio programs from the 1920s. All of these broadcasts are available to the public.

The Brooklyn Children's Museum

Another groundbreaking New York institution is The Brooklyn Children's Museum, which was the first children's museum in the world when it was founded in 1899.
Permanent exhibit themes of the museum include toddlers, New York City landmarks, children's library, live animals and greenhouse, an area for visiting exhibits, musical instruments from around the world and a stage for kid's shows. The interactivity of the displays will have the little ones entertained, and learning all afternoon.

The Skyscraper Museum

A relatively new addition to the ever growing list of New York museums and places of interest is The Skyscraper Museum, which is devoted to high rise architecture.
The museum portrays the buildings as "objects of design, products of technology, sites of construction, investments in real estate, and places of work and residence." The museum was temporarily closed down for use during the post-September 11 period for use as an emergency information centre.
One of the main features is an 'air walk' above the streets of New York. Not for the faint hearted, but definitely a once in a life time experience.

Irish Hunger Memorial

Commissioned by architects and designers, The Irish Hunger Memorial pays respect to the estimated eight thousand Irish who died of starvation between 1845 and 1852, due to potato crop failure commonly known as "potato blight'.
The site stretches a quarter acre corner in Battery Park City neighborhood of Manhattan and its stones, soil and vegetation are all collected from each of the Irish counties.

Intrepid Sea-Air-Space Museum

Located in an area rich in naval and maritime history at New York's Pier 86 in Manhattan, the museum features the USS Intrepid aircraft carrier, the USS Growler submarine (both World War II relics) and a Concorde aircraft.
The museum periodically welcomes invited ships for special events, which is held on the deck of the colossal air craft carrier.

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Sunday, February 6, 2011

Atlanta's High Museum of Art

Atlanta's High Museum of Art is one of the Southeast's leading art museums. The museum is located on Peachtree Street in Midtown Atlanta. The High Museum is a division of the Woodruff Art Center, which also includes the Alliance Theater and the 14th Street Playhouse. The High was founded in 1905 as the Atlanta Art Association. In 1926 Mrs. Joseph High donated her family home on Peachtree Street to be the museum's permanent home. The museum moved into a new brick structure adjacent to the home in 1955. As the museum's collection grew over the next two decades, money was raised to build a larger facility. After raising $20 million dollars, the High moved into a new building in 1983, designed by award-winning architect Richard Meier. This tripled to museum's exhibition space. In another expansion in 2005, three new buildings designed by Italian architect Renzo Piano were opened. The facades of these buildings were designed to unite with the Meier building.

The High Museum of Art has more than 12,000 pieces in its permanent collection. These include 19th and 20th century American art, decorative arts and design, European art, African art, folk art, modern and contemporary art, and photography. In addition to the permanent collections, the High showcases a number of special exhibitions each year. Three specials exhibitions are now in their final weeks at the High Museum.
"Salvador Dali': The Late Work" is the first exhibition of his work after 1940. The exhibition contains more than 100 works of the Spanish surrealist including paintings, drawings, and prints. Atlanta is the only venue for this exhibition, which runs through January 9, 2011. "Titian and the Golden Age of Venetian Painting" runs through January 2, 2011. This special exhibition contains 25 works of the Italian Renaissance painter from the National Galleries of Scotland. Some have never been shown in the US. "Signs of Life: Photographs by Peter Sekaer" contains 88 prints by the Danish-born photographer. This is the first major exhibition dedicated to his work. This exhibition concludes on January 9, 2011.

The High Museum of Art recently received a gift of 47 works of art, the majority of which are posters and prints, by major Parisian artists including Toulouse-Lautrec. This is the one of the High's largest and most significant gifts of art. A special exhibition of these works entitled "Toulouse-Lautrec and Friends" will open in January 2011. The High Museum is well worth a visit at any time, but especially with so many special exhibits scheduled.

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Tuesday, February 1, 2011

The Basics of House Painting

Your house is your lifetime asset. And it's a matter of time when you take a notice that your house needs renovation - not because it's getting old, but because you feel the need of vibrant colors in your house.

Repainting your house is a tricky business. Some rely on painting companies to do the job for you. Hiring the house painting service may also cost you. But if you are planning to paint it yourself, you might want to consider the basics; and consider the time and effort you will put on painting your house.


There are many types of paint available today, some giving different surface finishes, others are designed for a particular application. Choosing the correct paint type may appear to be confusing at first, but once you have projected which theme you would like to paint your house and sorted out which job and what finishes you want, the choice is rather easy.

There are two bases of paint for your house: solvent-based (oil or alkyd) and water-based (latex). Oil-based paints dry slow - usually taking up to 24 hours. The best clean up for an oil-based paint is turpentine or paint thinner. Latex paints' advantage is that it dries relatively fast, but it is not desirable in hot weather or direct sunshine. The best clean up for latex paints requires just soap and water. So if you are painting the inside of your house, it is recommended to use water-based paints, while solvent-based paints are suggested for painting the exterior of your house.

There are different types of paints that is either water-based or solvent-based that produces different finishes that is measured by its sheen factor. "Sheen" is a term used to describe the degree of light reflection the paint has. Lesser sheen for an interior or exterior paint means it has lesser stain resistance.

· A Gloss paint is easy to clean and resists scuffs better. This is ideal for rooms that are constantly used. Most gloss paints are best recommended to use on woodworks, baseboards, kitchen and bathroom walls, doorjambs, and window casings. The downside of using gloss paints, however, is the noticeable imperfections in the wall surface.

· A High-gloss paint is highly reflective and works well for highlighting details, such as trim and decorative molding. They are also the best choice for doors and cabinet - or any area that sees a high volume of abuse.

· Semi-gloss paints are very similar to gloss plaints except it has lesser sheen. Semi-gloss is also suitable for rooms with high humidity (best used for children's room) and can be used for trim works and casings. These paints ensure maximum durability.

· Eggshell paints provide a smooth and low-sheen finish. Paints that are smooth and low-sheen that is ideal for your living rooms, dining rooms, bedrooms, and dens. It is washable and ideal for bedrooms, hallways, home offices and family rooms.

· Satin paints offer a good combination of easy-clean and moderate sheen. These paints go a step above eggshell in scrubbing ability. They perform and look great in just about any room.

· Flat paints (matte paints) are non-reflective and always a good choice for large walls and ceilings. Flat paints hides imperfections on wall surfaces and spatters well during application. Flat paints are the best choice for vinyl and aluminum siding that is scratched or dented because it hides imperfections and spatters less when applied. These paints are ideal for low-traffic areas such as formal dining rooms and master bedrooms.
Special paints have been innovated from different consumer insights and brilliant paint technology that allows specific paints for specific needs.

· Ceiling flats are designed specially for ceilings. These are usually extra spatter-resistant.

· Primer paints may be oil- or water-based and are used to seal unpainted surfaces to prevent covering coats of paint soaking in. The appropriate type of primer should be used for the surface being painted - wood, metal, plaster or tiles. There are some 'all purpose primers' available which are designed for two or more of these surfaces.

· Anti-condensation paints are used for rooms with humid conditions such as kitchen and bathrooms. This paint is usually formulated to prevent condensation and often includes fungicide.

· Fire-retardant paints do not resist fires completely but its fire-resistance formulation prevents it from fire in spreading fast.

It is also important that before painting your room, you use a primer. A primer will help paint adhere to the surface by providing a uniform appearance. It is a must to use a primer if you are painting over new wood, bare wood, drywall, or repainting over existing bright or dark colors.

But before doing this, you have to know the condition of the surface you wanted to paint. Regardless of whether the base coat is oil or latex, you must dull glossy paint by sanding or de-glossing it with a chemical de-glossing product. If you don't dull glossy paint, the second coat will streak and not stick to the base coat when drying.


If you want to alter your room's ambience, painting it is a great option. When interior painting, use paints that are quicker to dry and does not have a strong odor that lingers around where your kids can smell it.

Painting the interior of your house requires a thorough estimation, visualization and preparation. When you have chosen your theme for your rooms and have bought the job materials you need (paints, paint brushes and rollers, extension handles, paint tray, paint stirrer, drop clothes, step ladder, painter's tape, etc.), you simply follow these interior house painting tips:


· Always provide adequate ventilation when painting inside your house. If you cannot get enough ventilation in the work area, use a respirator or a mask.
· Keep paint containers or solvent containers closed when not in use.
· Keep paint products out of the reach of children.
· Avoid direct contact with skin.
· Always read packaging (label) instructions.


· Remove as much as furniture as possible from the room or group the heavier fixtures and the delicate ones together and cover them with a drop cloth.
· Provide adequate lightning to allow a good view of painting imperfections.
· Remove switch plates.
· Patch holes and cracks in the surfaces you wanted to paint with premixed spackling paste. After the paste dries, sand the patched the areas.
· Dust and wash the ceilings, walls, baseboards, windows and door moldings.
· Clean, sound wallpaper can be painted over, but in most cases it is better to strip it. Painting over a wallpaper may begin to peel.


· If you are painting the entire room, it is best to paint the ceiling first!
· If you are using a paint roller, maneuver your arms in series of diagonal swaths (forming a letter M). Fill in the open areas by cross rolling.
· If you are using a paintbrush, apply the paint in short strokes towards the unpainted area, known as "wet to dry." Then brush back into the area you just painted for a smooth surface.
· If you are painting your ceiling, remove light bulbs, chandeliers, fluorescent lights and fixture covers.
· Paint trim first, including edging around the ceiling, molding, and trim.


· Paint around the trim first, including edging around the ceiling.
· When painting with a gloss finish, make the final brush strokes away from the light source of the room. The tiny ridges that a brush leaves won't be as pronounced. Use the same "wet to dry" method of painting.


· Check woodwork for damage. if there is one, patch it with a wood filler, dry it overnight and sand it for any rough spots and apply a sealer before painting.
· If you'll be using the same paint on the walls and woodwork, paint the woodwork as you come to it. If it is another color of higher in gloss, wait until the walls are done.
· Paint double-hung windows from the wood between the panes then outward. On casement windows, us the same technique, but keep the windows slightly open until the paint dries.
· For panel doors, paint the decorative molded edges first, then the individual panels. Paint from the center out. When the panels are completed, paint the vertical and horizontal flat panels.
· Use a painter's tape or painter's shield to keep paint off windowpanes. Do not use a masking tape or a duct tape. Using a painter's tape or painter's shield allows you to keep areas covered for up to 3 days.
· Paint the top edge baseboards first, then the bottom along the floor. Paint the middle section last.
· Remove cabinet doors and drawers and paint the flat surfaces first. Paint inside the edges, then move to the outer surfaces.


· If there are paint drops on your floor, don't let it stay there. As the paint sets longer, the harder it will be cleared. Use a cloth with soap and water or a solvent for cleaning.
· Use a razor-blade scraper or a putty knife to chip off bigger paint droplets that have dried.
· Use a scraper to trim around windowpanes.
· Wash and dry paintbrushes and rollers. Store them according to the brand's recommendation not all paintbrushes have the same type of bristles nor the rollers have the same material.
· Clean the paint from the rim of the can. Tap container lids tight with a hammer and block of wood.
· Store solvent-based paint cans upside down to prevent a skin from forming.
· Store your paints in normal or room temperature. Never put the paints in extreme hot or cold rooms.
· Each states in the U.S. or every community/ county differs on paint can disposal methods. Check your local environmental, health, and safety laws.


In buying paints that you are going to use for your exterior house, you have to pick a brand that has essential characteristics: hiding power, color retention, chalk-resistance, and blister resistance.

Hiding power comes from the paint's pigment and is affected by the manner and thickness of the application. Color retention is the ability to maintain its original color during exposure to sunlight, etc. Chalking resistance prevents the white chalky powder from forming on the surface and lightening the color of the paint. Chalking occur over a period of time. Blister resistance keeps excessive moisture from coming through the substrate and affecting the paint layer. Tip: if paint is applied over a damp or wet surface, blistering is imminent.

Painting the exterior of your house requires a thorough estimation, visualization and preparation. When you have chosen your theme for your rooms and have bought the job materials you need.

You will need any of these tools in painting your exterior: caulk, sandpaper, rags and/or paper towels, painter's tape, garden hose, power washer, or hose brush attachment, sponges & buckets for wash water, spray nozzle, stepladder, extension ladder, paint scraper, wire brush, putty knives, heat gun, rotary paint removing tool and electric drill, caulk gun, sanding block, and work gloves.

When you have all the tools at hand, examine your exterior. You might find exterior painting problems, which could be any of the following: alligatoring, blistering, chalking, chalk run down, crackling, dirt pickup, efflorescence, fading, frosting, lapping, mildew, nail head rusting, paint incompatibility, peeling, poor alkali resistance, poor adhesion, poor gloss retention, surfacent leaching, staining, vinyl siding wrap, wax bleed, or wrinkling.

If you already know what your house exterior's problem is or just for repainting it, simply follow some of these tips. You can also refer to INTERIOR PAINTING for brush or roller strokes, etc.:

· Start by thoroughly cleaning the outside of your home. Start at the top and work your way down the sides of the house. If your siding has areas of mold, mildew or discoloration, wash it with an anti-fungal cleaner.
· Mask off areas that are not to be painted. You may want to place masking tape along the edge of house trim, and around window and door frames and trim, since this is likely to be painted in a different color or with a higher sheen paint. You can also tape newspaper or plastic drop cloth material over windows and doors, including sliding glass doors, to protect them from drips.
· Place plastic drop cloths over plants and shrubs, or where paint may drip on porches, roof sections, sidewalks, driveways or other surfaces.
House painting takes time, house painting costs a big chunk on your budget, but the end-result is always great.

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Saturday, January 1, 2011

Four Propositions Concerning Art Blogging

My first proposition is: Blogging is about being stupid.
It is accepting that I do not know what I should know before starting to write. But wait! "Should know"? Let me rephrase that: blogging is accepting that there is no required knowledge to write. In part, it is accepting Beuys' affirmation that everyone is an artist. Everyone is an art-writer. Everyone is a potential member of the art milieu. And this everyone also means different aspects of me. Suddenly, the quickness of the form, it's simplicity, encourages me to move forward. To take risks. To dare write something I am not sure of. One could say this is the continuation of the beautiful tradition of Montaigne's Essays (which translates into Attempts). Yet here, the very way it is created and shared encourages the risk, encourages the attempting to see where the thoughts, the words, took me, take me, might take me. But that is just the first step. Because the consequences are quite far-going.

My second proposition is: Thanks to the internet, writing about art can become closer to making art.
The problem with writing is what is usually considered it's greatest advantage: it stays. Letters form words which form sentences which are a pest - they do not let go. So anything you write can and will be used against you, be it literally or metaphorically, by someone, or by yourself, reading what you wrote many years ago.
Writing, then, must become serious. You have to weigh your words. You become responsible. Meaning, what you write needs to pass the test of an imaginary future reading.
The internet may not seem different, because here things also stay (you can find all the internet publications from the past at However, there is so much happening, and what you publish has so little apparent weight (you don't feel it, hold it in your hand, share it physically), that even the concept of a "virtual" world seems logical. And yet the beauty is that "virtual", here, is quite real. The letters still turn into meaning - and practically instantly, they turn into social meaning.
But maybe because of the lack of weight, as opposed to other circumstances, when writing the blog, I don't feel obliged to anything. My distance to what I write about can change. I can be a distant observer, and then suddenly move close, challenge the work, ask it questions, see where it takes my thinking. This limit of private/public allows me to think to myself, but in a way that creates a new type of space, a new type of relation. Am I still writing about the work, or am I writing myself into the work? After all, I have no obligation to be a critic. Because I define what the blog is, I do not need to correspond to any criteria - and so the writing can become more personal, more experiential - sharing the experience I am living. And, as my experience is often related to creating new works, the limit becomes blurred - the work I write "about" (or "from" or "out of") is working its way into the one I am (sometimes unconsciously) thinking about or preparing.

My third proposition is: The models of participation in art change because of the internet.
This new type of sharing has other consequences. As opposed to most art writing, it becomes difficult to define what exactly is my position in the (traditional) world of art. Am I reviewing, creating, alluding? It is up to the reader to define what role my text plays in his experience of the art/world.
But also on the scale of the art milieu, the situation becomes more fun.
Am I a big, important fish, or an insignificant lost fish? Reading the blog it is hard to say. And that is, because it really is hard to say. The art market tries to establish market rules - artists have values that either go up or down, and if the art businesspeople had it their way, art would really be an extension of the art market. But this model is greatly inadequate for art, and I am the proof. After a few years writing the blog, I had more and more people contact me. One of them was a curator at the Warsaw Centre for Contemporary Art. He wanted to link to me on the Centre's online (and sometimes offline) review called Obieg. Suddenly, people from the milieu now considered me as an insider. Several people asked me "How did you manage to convince them?". Apparently, they were not used to a model which goes beyond traditional, linear processes. Of course, these new models are far more complex, which can be quite exciting: I can participate in a review and be written about, my work can be the subject of my own analysis picked up by someone from another site, the blog could potentially be published in a paper edition, it becomes a sort of a one-man-show that keeps evolving. Galleries start considering the blog as a serious partner, they become interested in the person, other artists contact me, first as a publisher, then as a person, new unexpected projects come up... All this has been happening. And every time it does, it seems the definition of what I do shifts.

My fourth and last proposition is: Blogging about art can be an exercise in moving.
The great and crazy composer Cornelius Cardew once wrote: "Notation is a way of making people move. If you lack others, like aggression or persuasion. The notation should do it. This is the most rewarding aspect of work in a notation. Trouble is: just as you find your sounds are too alien, intended for a 'different culture', you make the same discovery about your beautiful notation: no one is willing to understand it. No one moves."
A similar thing happens with writing my art blog. This is one way of changing the conditions of living, or appreciating, art. When it works, you feel how it takes you elsewhere. "You" meaning me, but also you, the potential reader. And yet, every once in a while, you, no, I discover that the reading remains on a level I am not satisfied with. It becomes a reading of another text, and so, once again, I have written a different text to the one I was writing. This happens, of course, with every creation. However, the blog, the internet, has this wonderful capacity of allowing for the exercise to be constantly exercised. I go back, I rewrite, I answer myself. I enter dialogues. Exercise. Yes, that is what blogging is for me - an exercise in moving.

The above text first appeared (in a Russian translation) in the Korydor online magazine, as part of the Kyiv Offline project.
The picture is Seeing Got Us Here (A Bunch of Leaves), 2010, by Wojtek Ziemilski.

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